There are two types of piano players in retrospect: one seeking to rehearsal and interact with art, the other seeking to mystify the world in the same way. Yamaha Pianos has always come up with solutions to meet both needs when the latter part is your aim, but in the truest way you still want to practise. In other words, those who want to practice on digital pianos were showered with additional features, which only a performer would care for before the P-115 release. The price tag grew to unnecessary levels as a direct result. Yamaha Digital Piano Key characteristics1. Test of piano pure CF – The sound engine of Pure CF is the product of Yamaha, the pioneer of modern piano technology,"s piano experience for years. The Yamaha P115B Digital piano uses Yamaha's "pure CF sound system," a first for P-Series, to provide unparalleled dynamism and expressiveness, sampled from Yamaha's own well-known grand piano CF III performance, heard on scenes around the world. 2. Built-in rhythms – The P115B has onboard patterns of rhythms of drumming (from the basic rock to swing beats) that can be added to piano tunes while performing or using them as a virtual drummer. 3. Authentic Touch – The Yamaha P115 B Digital Piano boasts GHS technology to have a genuinely piano touch with this lightweight device. The P115B has a heavier touch at the lower end of the acoustic piano, much as the hammers inside the acoustic flat and a softer touch at the upper end. This would be extra helpful to all aspiring pianists, as this constructs the correct finger technique, when the time comes for a traditional acoustic piano. 4. Pianist styles – The Yamaha P115 B digital piano turns a simple chord into luxurious complements. Just play the chord and the style of the pianist gives you ten carefully selected styles for your solo concerts as an accompaniment! Specifications StandardSound Yamaha P-115 has a Pure CF sound engine, commonly employed by the first P-line piano in Yamaha P-225. The pure CF sounds consist of the 001 grand piano recorded in several volumes for each note at Yamaha CFIIIS 9 'concert Grand. Of exquisite echo and decay, the grand piano creates remarkably simple and convincing sound. The P-115 offers sound that is especially convincing and vivid relative to the previous P-105. Job Manager
When looking alone, the keys emphasize efficiency, esthetics and weight. Look, Yamaha P115's keys are in keeping with the performance standard of a stage piano, with a full weighted 88-key keyboard set-up that gives you a performer look. The main aim now is to mimic the very same sound and feeling of Yamaha 's best, CF-IiI concert grand piano with the introduction of the GHS starter version (Graded hammer Standard). Well, it's been down so long as we speak of the feeling here. The keys feel very heavy when pressing and give the appearance of an acoustic piano since they are equally sized. Today, the graded motion of the hammer is high on left-hand keys and more gentle on right-hand keys (as usual). The weighting of the keys is continuously rising when going from left to right. This action is adequate to turn the most beginning practitioners into ancient players through continuous learning. One thing to remember is that in other high end editions of the piano, the GHS is more prominent, so they may have the same impact as high end models. What does the keyboard sound for long hours after playing? Okay, the keys are made of plastic for budgetary purposes. That doesn't mean, however, that the keys are qualityless, because the finish is glossy and the black keys are matte. They do nothing than satisfy the esthetic. The finishes on the keys make them slick because of the moisture after long hours. Thus you do not find like you lack the ebony and ivory keys like echo through most high end models from a solely functional viewpoint. Keys are prone to touch effects. The lighter you press, the lower the sound, and the opposite. Yamaha P115 provides these solutions for configuration. You can configure the sensitivity with which you are comfortable through customization.
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